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From Rauma Blog |
This is the official blog of contemporary artist Ron Saunders. It candidly documents his experiences and projects in Rauma, Finland during his 2010 residency at Raumars. It also traces his current studio practice in Pasadena, CA. Ron Saunders has exhibited and lectured about his work in Los Angeles, New York, Europe and Asia. He is the founder of the Seoul Art Collective and the Office of International Cooperation.
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As soon as we stepped off the bus on Monday(the 4th) from Helsinki, Hannele, the residency director, picked us up and drove us to Syvarauman Elementary School where we met Markku (a member of the Nortamo Seor language club) Juha (the instructor) and the children. This was our first opportunity meet all the participants, both young and old, for Echo, the Rauma Language/Dialect Project.
Upon arrival we were escorted to the inner sanctum of the school- the teacher's lounge- and were introduced to the faculty. Remembering as small children what it was like to look at the door of the teacher's lounge, there was a slight air of intimidation before entering. 'What do they do in there? What do they talk about? Are there cookies?' Well, we can safely confirm, perhaps on an international scale, that teachers do in fact 'lounge' and the topic of conversation tends to rotate around troubled children or what happened or will happen during the weekend depending on the day of the week. Also, there ARE cookies, lots of them, and coffee too.
Then the five adults, Ron, Mackenzie, Hannele, Markku, Juha, and Hannele, all headed to class. As we entered the building, we hung our coats in the hall, and entered the classroom. With a mixture of Finnish and English we introduced ourselves and tried to explain the project to the sixth graders. The process seemed simple enough, but was complicated as things often are by language barriers. The children would listen to Markku tell a story from his childhood in the Rauma Language and also read from the famous book written by H.J. Nortamo, which solidified the Rauma dialect and illustrate the stories.
In general, their English level was exceptional and they seemed pretty game to try entire the process. We set a date for that Friday to meet up for the first lesson.
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Small sample of Markku's story
Last weekend we went to Helsinki to meet with two more participants for Repositioning Nostalgia and, of course, to experience Vappu. Although Mackenzie has had a chance to see this all-important Finnish graduation celebration, it was actually much more pleasurable the second time around. The utter enjoyment was partly due to staying with her former host family, the Arjanne’s, who live right in the center of town. This meant that we did not have to drive anywhere, an incredibly valuable luxury, and could easily escape the madness with a few quick retreating turns back to the apartment.
Friday and Saturday included fairly consistent alcohol consumption, not to any embarrassing excess, but enough to accompany the incredible amount of food that Mackenzie’s former host mother dished out as well as the highly sociable party we attended on Friday night.
On Sunday, we traveled to East Helsinki to meet with a man from India and over to West Helsinki to meet with a woman from Kenya. Great interviews and an all around good time.
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The Sunday before last, 25th of April, we visited the old Rauma church, which was built in the late 15th century, and happened to meet our first participant by chance. He introduced himself as an engineer from France working on the new nuclear power plant just north of Rauma. We can't exactly remember how the conversation started, but we were admiring a particularly beautiful wall on an annex building and he happened to join our conversation.
We asked him if he might like to participate in our project about nostalgic objects by sharing something he had brought from France. He invited us to his apartment and offered a few postcards that he was willing to part with since he was returning to home for a vacation and did not need them. Over some tea we learned that in fact he was from the Congo and immigrated to France to escape the poor economic situation. He knew that by leaving home he would have more opportunity, but also greater responsibility. His story began to detail a clear division of his salary, fifty percent went back to France and his family, twenty-five percent to a home in the Congo, and finally the last twenty-five percent towards medical supplies for his village. He told us that at least once a year he makes a visit discretely home, not wanting to upstage the effort, or lack of effort, of the politicians. He pulled out a small handheld camera and narrated about 30-minutes of video footage, which included visits to local hospitals to hand out clean water.
We had no idea that what started out as simple postcards from home turned into a multimedia humanitarian presentation brought from hundreds of miles away.
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